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Product

Organized by the decision, not the feature.

Six moments where a promoter needs a number. For each one: what you enter, what ShowLedgers calculates, what you learn, what it does not know on its own, and what still needs your review.

Real application captures below run on the demo tenant with sample data. The interactive board runs the application's own formulas on a fictional show.

01

Before you buy the show

If I buy this show under these assumptions, what has to happen?

What you enter
  • Guarantee and deal type: flat, versus, guarantee plus bonus, or straight percent
  • Capacity, ticket price, ticketing fee percent and flat fee, facility fee, tax percent
  • Estimated production, marketing, support, hospitality, and venue rent
  • Expected paid attendance
  • Every offer sent, countered, accepted, declined, or expired
What ShowLedgers calculates
  • Net per ticket after fees and taxes
  • Break-even tickets and break-even as a share of the room
  • Net at 25, 50, 75, and 100 percent of the room
  • Worst-case loss and the largest guarantee the room covers at 65 percent paid
  • A risk band: safe, thin, risky, or bad deal
What you learn
Whether the room can carry the guarantee before you commit, and what the offer looked like the last time you sent one.
What it does not know on its own
Whether the artist will draw. It has the arithmetic, not the audience.
What needs your review
The band is a threshold on your own assumptions. Change an assumption and it changes.
Offer risk screen with break-even, scenario ladder, worst case, max safe guarantee, and the assumption fields
Real application capture · demo tenant · sample dataOffer risk with the scenario ladder.
02

While the show is on sale

What is the show doing while I can still change something?

What you enter
  • Cumulative paid counts by date, typed from your ticketing report
  • Ticket tiers with price, planned, sold, and comps
  • Ad spend by platform and campaign, with pixel purchases when you have them
  • Costs as they land, budget beside actual
What ShowLedgers calculates
  • Ticket pace and a projected count at show date from recent velocity
  • Sell-through against capacity and the break-even line on the chart
  • Current revenue, current costs, current net, and margin
  • Ad cost per paid ticket and the gap between pixel purchases and real tickets
What you learn
Where paid stands against break-even today, how fast it is moving, and what the spend is buying per ticket.
What it does not know on its own
Live sales. Counts are as fresh as your last entry. There is no ticketing feed.
What needs your review
The projection is a straight line from recent velocity. Treat it as a pace read, not a promise.
Ticketing tab with ticket tiers, comp tracker, sales velocity chart, and the projection panel
Real application capture · demo tenant · sample dataTicket tiers, comps, and the velocity chart.
03

At the box office

How many actually paid, and does the room count agree?

What you enter
  • Advance tickets and advance gross
  • Walk-up cash and card counts and gross
  • Artist guest list, promoter comps, venue comps
  • No-shows, scanned, unscanned, final paid, final headcount
What ShowLedgers calculates
  • Walk-up totals
  • Comp total
  • The paid-versus-room gap
What you learn
The paid number you can defend at settlement, separated from the room count.
What it does not know on its own
Scanner data. Counts come from your door team, not a device.
What needs your review
Save the reconciliation before settlement so the two never drift apart.
Box office reconciliation with paid count, headcount, walk-up cash and card, comps, no-shows, scanned and unscanned
Real application capture · demo tenant · sample dataThe box office reconciliation.
04

At settlement

What will settlement actually say?

What you enter
  • Final ticket revenue, bar, merch venue cut, sponsorship, other income
  • Every cost line by group: talent, production, venue, marketing, hospitality, other
  • Support act payments and settlement notes
What ShowLedgers calculates
  • Guarantee and backend from the deal type
  • Overlapping summary and detail fields counted once, with the skipped duplicates listed
  • Total revenue, total expenses, promoter net, margin
  • A settlement PDF and a print view, plus the export history
What you learn
The close, in one document, from the ledger you already kept.
What it does not know on its own
Whether every figure is right. It flags duplicates and shows sources, then you review.
What needs your review
Read every line before you send the PDF. It is a record for review, not a legally binding document.
Settlement tab with ticket revenue, total revenue, total expenses, net profit, and the settlement PDF download
Real application capture · demo tenant · sample dataSettlement with the PDF export.
05

Before year-end

Who needs a W-9, and who crosses the reporting threshold?

What you enter
  • Payee name, legal name, entity type, tax year, total paid
  • W-9 requested and received
  • An encrypted W-9 upload and an encrypted tax identifier on the show record
What ShowLedgers calculates
  • Threshold status per payee: under, approaching, over
  • Missing W-9 count, over-threshold count, total paid by year
  • A masked 1099 working CSV
What you learn
Whether January will be a review or a cleanup.
What it does not know on its own
Your filing obligations. Thresholds are configuration, and the year-end call belongs to you and a tax professional.
What needs your review
Identifiers are stored encrypted and displayed as the last four digits only.
Tax Center with missing W-9 count, over-threshold and approaching-threshold payees, and the payee list
Real application capture · demo tenant · sample dataThe Tax Center for a tax year.
06

Before the next offer

Would I buy this again, and at what number?

What you enter
  • Post-show survey: rating, would you rebook, artist behavior, audience response, notes
  • Four judgments: ad efficiency, advance professionalism, support draw, venue feedback
  • Paperwork complete or not
What ShowLedgers calculates
  • Artist draw history across your settled shows
  • Venue history: shows, average net, average draw
  • A rebook score and a recommendation from the settled record and your inputs
What you learn
Last offer against last actual, on the page where you write the next one.
What it does not know on its own
The right guarantee. There is no recommended number, and there never will be a public benchmark of other promoters' data.
What needs your review
The score is transparent arithmetic. The decision is yours.
Rebook decision tab with the score, recommendation, profit and attendance signals, and the judgment fields
Real application capture · demo tenant · sample dataThe rebook decision record.
Sanitized product demo

Run the board yourself.

A fictional show at a fictional venue, computed by the same modules the application uses. Nothing is saved.

The House Board

North Pier Theater

Seattle, WA · Sun Oct 18, 2026 · 680 capacity

Sanitized product demo · Fictional venue · Sample data

Break-even418Projected61% of the room
Expected paid520Projected76% of 680
Projected net$4,290Projectedat expected paid
Risk bandThinProjectedfrom the offer assumptions
Max guarantee at 65% paid$8,514Projectedwhat the room covers before profit
Sellout$11,010Projected680 paid

Offer assumptions

If I buy this show under these assumptions, what has to happen? Change a number. Break-even, the ladder, and the band recompute with the application's offer-risk calculator.

Scenario ladder

PaidNet
25% of room-$10,410
50% of room-$3,270
75% of room$3,870
Sellout$11,010

ShowLedgers organizes the numbers. Whether to buy the show is your call.

Every figure above is computed by the same formulas the application runs. Nothing is stored.
What ShowLedgers is not

The operating layer around the show. Not the ticketing, not the bank, not the accountant.

Tickets keep selling through your ticketing provider. Money moves the way it already moves. ShowLedgers is where the numbers get organized and read.

  • Not a ticketing platform or a box-office payment processor
  • Not an accounting firm, bookkeeping service, tax software, or legal software
  • Not a booking agency, an artist manager, a promoter, or a marketing agency
  • Not a settlement bank, a payroll provider, or a financial adviser
  • Not an automatic tax-filing platform, and not a guarantee that a show will make money
Lifetime access

One price. The whole control room.

$300 once. No monthly subscription. No per-user charge.